That "wrap around" characteristic is difficult to duplicate with a directional artificial source.
In a studio setting there is no limit to options for lighting objects to ether make them look "seen by eye" normal or surreal as the goals for the photograph require. Partly because I like to travel light now and partly because I just don't have the patience for setting up lighting. When a photographer puts the sun behind an object its role in the lighting strategy changes from modeling the front of the object to one of defining its outline and creating the impression of physical separation and 3D space a frontally illuminated scene lacks.
Manipulating Light Light can be manipulated to fall on a particular area of interest on your subject. That takes us back to the art of photography. Most of the shaded sides are behind the subject, as are most of the reflected lights and shadows.
Light, more specifically the quality of light, can have a profound effect on the mood of your pictures and really good photographers understand this and leverage this to their advantage.
Nonetheless, it is as crucial as ever to document life in real time and share true and moving stories with the world. Think of a large shaded area or what its like to be outside on a cloudy day. If the background is illuminated by the setting sun but the face in the foreground appears to have been photographed at noon it will not seem normal because the clues don't match.
Does the photograph truly represent its subject?
Feedback usually consists of you saying what you like most about the image, and that's it. Another option is to add some reflected light in the iris of the eye — opposite the source light in order to accentuate the eye in a more believable way. Why Documentary Photography Is Important Why documentary photography is an important method of recording history, sharing emotional truth, and often inspiring change.